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| Type | List | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|
 | 1. | Aspects of style in the two-part Inventions as revealed by a study of accentuation. | diss. | |||||
| | 2. | Max Reger als Bach-Bearbeiter. | diss. | |||||
| | 3. | The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. | diss. | |||||
| | 4. | Die Allemande in der deutschen Klaviersuite. | diss. | |||||
| | 5. | The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. | diss. | |||||
| | 6. | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. | diss. | |||||
| | 7. | Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. | diss. | |||||
| | 8. | An Operational approach to a theory of rhythm. | diss. | |||||
| | 9. | Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. | diss. | |||||
| | 10. | Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. | diss. | |||||
| | 11. | Die Musikhandschrift Mus.ms.A6 im Thüringischen Landesmusikarchiv Weimar als Quelle der kirchenmusikalischen Praxis in Mitteldeutschland um 1800. | diss. | |||||
| | 12. | 17th-Century Contrapuntal Theory in Germany. | diss. | |||||
| | 13. | Opera at Mannheim, 1770-1778. | diss. | |||||
| | 14. | The first Berlin lieder school: The early development of German art song. | diss. | |||||
| | 15. | Vertolkings van Johann Sebastian Bach se vrye orrelwerke: 'n Stylkritiese analise van bestaande plaatopnames en Bach-edisies. | diss. | |||||
| | 16. | J.C. Bach's London keyboard sonatas: Style and context. | diss. | |||||
| | 17. | Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. | diss. | |||||
| | 18. | Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. | diss. | |||||
| | 19. | The Anglicisation of Bach. | diss. | |||||
| | 20. | Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. | diss. | |||||
| | 21. | Studien zu Artikulationsangaben in Orgel- und Clavierwerken von Joh. Seb. Bach. | diss. | |||||
| | 22. | The Art of Gigue: Perspectives on Genre and Formula in J. S. Bach's Compositional Practice. | diss. | |||||
| | 23. | Figures of Musica Poetica in the Passacaglias of Dieterich Buxtehude and J. S. Bach. | diss. | |||||
| | 24. | The historical position and reception of J. S. Bach's 'Great Eighteen' and Orgelbüchlein Choralvorspiele, 1750-1850. | diss. | |||||
| | 25. | Recognition and Re-cognition: Bach and The Well-tempered Clavier I. | diss. | |||||
| | 26. | Johann Sebastian Bach and the Protestantism of his day. | diss. | |||||
| | 27. | Der Musikbegriff bei Johannes Kepler. | diss. | |||||
| | 28. | Aeolus Appeased: A Modern Scenographic Concept. | diss. | |||||
| | 29. | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. | diss. | |||||
| | 30. | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. | diss. | |||||
| | 31. | Bach no Goldberg Hensokyoku no Kenkyu. | diss. | |||||
| | 32. | J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. | diss. | |||||
| | 33. | J. S. Bach: Han'onkaiteki Gensokyoku to Fuga (BWV 903) no Kaishaku. | diss. | |||||
| | 34. | Simetrijska analiza elemenata i strukture muzickog dela. | diss. | |||||
| | 35. | The Music of Franz Tunder. | diss. | |||||
| | 36. | C.P.E. Bach: Six harpsichord concertos. [Wq. 43] | diss. | |||||
| | 37. | Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. | diss. | |||||
| | 38. | The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. | diss. | |||||
| | 39. | Schönbergs Instrumentationen Bachscher und Brahmscher Werke als Dokumente seines Traditionsverständnisses. | diss. | |||||
| | 40. | Studien zur Theologie im Rahmen der Lebensgeschichte Johann Sebastian Bachs. | diss. | |||||
| | 41. | The Musical Measure as Discussed by Theorists from 1650 to 1800. | diss. | |||||
| | 42. | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. | diss. | |||||
| | 43. | Some relationships in the keyboard music of J.C. Bach and W.A. Mozart, 1765-1776. | diss. | |||||
| | 44. | Judgements of key change in Bach chorale excerpts an investigation of the sensitivity to keys, chords, & voicing. | diss. | |||||
| | 45. | Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. | diss. | |||||
| | 46. | The ternary sonata principle from 1731 to 1765: C. P. E. Bach. | diss. | |||||
| | 47. | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. | diss. | |||||
| | 48. | Johann Sebastian Bach, Orgelbüchlein (BWV 599-644), Schübler-Choräle (BWV 645-650), Choralpartiten (BWV 766-768, 770). Quellenkritische Untersuchung und Edition. | diss. | |||||
| | 49. | The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. | diss. | |||||
| | 50. | Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. | diss. | |||||
| | 51. | The Alto Solo Cantatas of J. S. Bach; Francis Poulenc's Melodies - a Mastery of Vocal Writing; Schumann Song Cycles Frauenliebe und Leben. | diss. | |||||
| | 52. | A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period. | diss. | |||||
| | 53. | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. | diss. | |||||
| | 54. | Johann Sebastian Bach's solo cantatas for soprano. | diss. | |||||
| | 55. | Die Symmetrie im Aufbau der Orgelpräludien von Joh. Seb. Bach. | diss. | |||||
| | 56. | A performer's study of selected organ compositions by Johann Sebastian Bach. | diss. | |||||
| | 57. | The organ and its music from medieval times to Johann Sebastian Bach. | diss. | |||||
| | 58. | J. C. Bach's third set of keyboard concertos: a socio-musical study. | diss. | |||||
| | 59. | Re-writing composers' lives : critical historiography and musical biography. | diss. | |||||
| | 60. | Contrapuntal analysis of the canons in J. S. Bach's 'Musical Offering'. | diss. | |||||
| | 61. | The opus 3 symphonies of John Christian Bach (with a critical edition). | diss. | |||||
| | 62. | Johann Christian Bach, the six keyboard concertos op.1: a dissertation and critical edition. | diss. | |||||
| | 63. | The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. | diss. | |||||
| | 64. | The interpretation of the ornaments in J. S. Bach's 'Well-tempered Clavier'. | diss. | |||||
| | 65. | J. S. Bach's Partita no. 3 in E major, BWV 1006: an analysis. | diss. | |||||
| | 66. | The computer implementation of harmonic analysis of the chorales of J. S. Bach. | diss. | |||||
| | 67. | The use of the soprano voice by J. S. Bach as exemplified by the nine solo soprano cantatas. | diss. | |||||
| | 68. | Extravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. | diss. | |||||
| | 69. | Aprendendo contraponto atraves dos preludios corais. | diss. | |||||
| | 70. | Keys and behavioural trends: An investigation into the relationship between choice of key and compositional strategies in the cantatas of J.S. Bach. | diss. | |||||
| | 71. | Sviatoslav Richter's interpretative response to J.S. Bach: A selective study. | diss. | |||||
| | 72. | Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. | diss. | |||||
| | 73. | Johann Sebastian Bach: Dritter Teil der Clavierübung. I. Kritischer Bericht. 2. Notenband. | diss. | |||||
| | 74. | LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. | diss. | |||||
| | 75. | Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). | diss. | |||||
| | 76. | Orchestersuiten der Bach-Zeit. | diss. | 
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| | 77. | Zum Zeitmaß in J. S. Bachs Sechs Sonaten für zwei Claviere und Pedal (Sechs Triosonaten für Orgel): Studien zu historischen Tempoaussagen und gegenwärtigen Erkenntnissen über integer-valor-bezogene Zeitmassgestaltung bei Bach. | diss. | |||||
| | 78. | Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. | diss. | |||||
| | 79. | Das Bach-Bild Philipp Spittas. | diss. | |||||
| | 80. | The Temperament of Keyboard Instruments in England from the Virginalists to the Middle of the Nineteenth Century. | diss. | |||||
| | 81. | The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. | diss. | |||||
| | 82. | Studien zu den Choralbearbeitungen Georg Böhms (1661-1733). | diss. | |||||
| | 83. | The sacred vocal music of the Graun brothers: A bio-bibliographical study. | diss. | |||||
| | 84. | Knowledge formalization and representation of the dynamics of expressive musical performance. | diss. | |||||
| | 85. | Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. | diss. | |||||
| | 86. | Articulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm. | diss. | |||||
| | 87. | A Critical-Bibliographical Study of the Rinck Collection. | diss. | |||||
| | 88. | Die deutsche Vivaldi-Überlieferung. Untersuchungen über die in deutschen Bibliotheken handschriftlich überlieferten Konzerte und Sinfonien Antonio Vivaldis. | diss. | |||||
| | 89. | Philipp Wolfrum, Untersuchungen zur Bachrezeption um die Jahrhundertwende. | diss. | |||||
| | 90. | Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden. | diss. | |||||
| | 91. | L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. | diss. | |||||
| | 92. | The fourteen last rondos of C.P.E. Bach: An investigation into their historic position, their form and their style. | diss. | |||||
| | 93. | The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). | diss. | |||||
| | 94. | Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). | diss. | |||||
| | 95. | Das Rezitativ bei Bach. | diss. | |||||
| | 96. | Bach's Keyboard music in England and Germany, 1770-1850. | diss. | |||||
| | 97. | Studien zur Instrumentation Johann Sebastian Bachs. | diss. | |||||
| | 98. | Johann Sebastian Bachs Kirchenkantaten zu Trauerfeiern und zu anderen nicht an das Kirchenjahr gebundenen Bestimmungen. Edition und kritischer Bericht. | diss. | |||||
| | 99. | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach | diss. | |||||
| | 100. | The Harmonische Seelenlust (1733) by G.F. Kauffmann (1679-1735): A critical study of his organ registration indications. | diss. | |||||
| | 101. | Die Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs. | diss. | |||||
| | 102. | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. | diss. | |||||
| | 103. | Performance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach. | diss. | |||||
| | 104. | Ritornello form in movements for chorus and orchestra by J. S. Bach. | diss. | |||||
| | 105. | J. S. Bachs preludium i h-moll, BWV 544 -- En analys. | diss. | |||||
| | 106. | Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. | diss. | |||||
| | 107. | The forms of Ritornello in the instrumental music of J. S. Bach. | diss. | |||||
| | 108. | Bach cantata movements suitable for flute transcription. | diss. | |||||
| | 109. | The Use of the Diminished-Seventh Chord in the Recitatives of Bach's Church Cantatas. | diss. | |||||
| | 110. | J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite. | diss. | |||||
| | 111. | The Well-Tampered Clavier: Authenticity and performing style in editions of Bach's Wohltemperiertes Clavier. | diss. | |||||
| | 112. | Johann Friedrich Reichardt (1752-1814) als Schriftsteller und Publizist. | diss. | |||||
| | 113. | Symbols of Transformation vol.5 of the Collected works of C. G. Jung. | diss. | |||||
| | 114. | Bachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen. | diss. | |||||
| | 115. | Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach. | diss. | |||||
| | 116. | Musiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge. | diss. | |||||
| | 117. | Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. | diss. | |||||
| | 118. | Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. | diss. | |||||
| | 119. | Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. | diss. | |||||
| | 120. | A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. | diss. | |||||
| | 121. | Studien zur Orgelmusik Franz Liszts. Ein Beitrag zur Geschichte der Orgelkomposition im 19. Jahrhundert. | diss. | |||||
| | 122. | The violoncello with special reference to Bach's 6 suites for violincello unaccompanied. | diss. | |||||
| | 123. | Studien zum Klavierwerk Wilhelm Friedemann Bachs. | diss. |
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| | 124. | Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. | diss. | |||||
| | 125. | Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. | diss. | |||||
| | 126. | Componenti bachiane nell'opera di Robert Schumann. | diss. | |||||
| | 127. | Dresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte. | diss. | |||||
| | 128. | A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. | diss. | |||||
| | 129. | Contributions to the development of the piano sonata: The piano sonata of the eighteenth century in Germany (W. F. Bach, C. P. E. Bach, G. Benda, C. S. Binder, C. G. Neefe). | diss. | |||||
| | 130. | Changing structures in German organ music from 1600 to the death of J. S. Bach. | diss. | |||||
| | 131. | A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5. | diss. | |||||
| | 132. | Bach-tulkinta tyylin ja tradition valossa: J. S. Bachin Das Wohltemperierte Klavier II:n preludien ja fuugien n:o 17-24 pianotulkintojen vertailua. | diss. | |||||
| | 133. | La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach. | diss. | |||||
| | 134. | Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. | diss. | |||||
| | 135. | Bach beyond the score: Clues to performance issues in Bach's keyboard music. | diss. |
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| | 136. | The Johann Sebastian Bach Ouvertüre in B Minor (BWV 1067): Studies in Genre, Style, and Chronology. | diss. | |||||
| | 137. | The Organ Music of Dietrich Buxtehude: Compiling an Accurate Edition and Looking at Interrelationships Between Bach and Buxtehude. | diss. | |||||
| | 138. | J. S. Bach no Shukenban no tame no Toccata Kenkyu: BWV 910-916 no Seiritsu to Klavier no Gainen ni tsuite no Kosatsu. | diss. | |||||
| | 139. | The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. | diss. | |||||
| | 140. | A study of the German church cantata exclusive of Bach, 1650-1750. | diss. | |||||
| | 141. | The Sketches and Drafts of Three of Felix Mendelssohn's Major Works. | diss. | |||||
| | 142. | J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. | diss. | |||||
| | 143. | The St. John passion by J. S. Bach in the light of the Neue Bach-Ausgabe (Edition 1973). | diss. | |||||
| | 144. | Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. | diss. | |||||
| | 145. | Schenkerian Analysis and Goedels's Theorem: The Urlinie as Formally Undecidable. | diss. | |||||
| | 146. | Verschollen geglaubte Sätze des Bachschen Vokalwerkes. Neue Beiträge zum Parodieverfahren bei Johann Sebastian Bach. | diss. | |||||
| | 147. | J. S. Bach no 'Mubanso Furuto no tame no Partita I-Tancho BWV 1013' o meguru Kosatsu: 'Allemande' ni okeru Saiko-On a3 no Tokuisei o akiraka ni suru. | diss. | |||||
| | 148. | Style and style change in the arias of opera seria, 1755-1772: Hasse - Jommelli - J.C. Bach. | diss. | |||||
| | 149. | Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. | diss. | |||||
| | 150. | Rhythmic Freedom in the Performance of French Music from 1650 to 1735. | diss. | |||||
| | 151. | Solo Cantatas for Bass by Christoph Graupner. | diss. | |||||
| | 152. | Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. | diss. | |||||
| | 153. | Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. | diss. | |||||
| | 154. | 'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken. | diss. | |||||
| | 155. | Zur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach. | diss. | 101p | ||||
| | 156. | A collection of organ music by pupils of J. S. Bach. | diss. | 102, 89p | ||||
| | 157. | Franz Paul Rigler as Theorist and Composer. | diss. | 1029p | ||||
| | 158. | Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. | diss. | 102p | ||||
| | 159. | 'Meditations on the 'Crucifixus'': Score and Analysis (Original Composition). | diss. | 102p | ||||
| | 160. | Das Thema in der Fuge Bachs. | diss. | 102p | ||||
| | 161. | The late independent keyboard rondos of Carl Philipp Emanuel Bach. | diss. | 102p | ||||
| | 162. | Erbeadaption im Sozialismus. Das B-A-C-H-Motiv im Musikschaffen der DDR. | diss. | 102p | ||||
| | 163. | The sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance. | diss. | 103, 50 p | ||||
| | 164. | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. | diss. | 103p | ||||
| | 165. | Wolfgang Caspar Printz und seine Rhythmuslehre. | diss. | 103p | ||||
| | 166. | J. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei | diss. | 103p | ||||
| | 167. | Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. | diss. | 103p | ||||
| | 168. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. | diss. | 104p | ||||
| | 169. | Les audaces harmoniques dans l'oeuvre de clavier de Jean-Sébastian Bach. | diss. | 104p | ||||
| | 170. | Untersuchungen zu Johann Michael Bach. Leben und Werk. | diss. | 104p | ||||
| | 171. | Mozarts Bearbeitungen eigener und fremder Werke. | diss. | 104p | ||||
| | 172. | Salute to Bach: Modern treatments of Bach-inspired elements in Luigi Dallapiccola's Quaderno musicale di Annalibera and Heitor Villa-Lobos' Bachianas brasileiras no. 4. | diss. | 104p | ||||
| | 173. | New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. | diss. | 105p | ||||
| | 174. | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. | diss. | 105p | ||||
| | 175. | Johann Christian Bach: London ni okeru kare no Katsudo to Ongaku. | diss. | 105p | ||||
| | 176. | Studien zur Zahlensymbolik des Frühmittelalters. | diss. | 105p | ||||
| | 177. | Variation techniques in selected organ literature. | diss. | 105p | ||||
| | 178. | The three organ concerti of J.C. Bach: Commentary and a performing edition. | diss. | 105p | ||||
| | 179. | Bach no kantata kenkyu: original shukofu ni miru sakkyoku, ensojo no shomondai. | diss. | 106p | ||||
| | 180. | The influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach. | diss. | 106p | ||||
| | 181. | Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. | diss. | 106p | ||||
| | 182. | A survey of organ works based on the motive B-A-C-H. | diss. | 106p | ||||
| | 183. | Felix Mendelssohn-Bartholdy und die Rheinlande. | diss. | 106p | ||||
| | 184. | A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). | diss. | 107p | ||||
| | 185. | Das Weimarer Orgelbüchlein von Johann Sebastian Bach. | diss. | 108p | ||||
| | 186. | The chorale prelude before J.S. Bach. | diss. | 109p | ||||
| | 187. | The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. | diss. | 110p | ||||
| | 188. | Die motettischen Sätze in Bachs Kantatenwerk. | diss. | 110p | ||||
| | 189. | J. S. Bach 'Chromatic fantasie to fuga' no edition kenkyu. | diss. | 110p | ||||
| | 190. | Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. | diss. | 110p | ||||
| | 191. | Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. | diss. | 110p | ||||
| | 192. | Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. | diss. | 112p | ||||
| | 193. | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. | diss. | 113p | ||||
| | 194. | Die Dichter der Kantatentexte Johann Sebastian Bachs. Untersuchung zu ihrer Bestimmung. | diss. | 113p | ||||
| | 195. | The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. | diss. | 1145 Bl | ||||
| | 196. | Strettnaja imitacija: Teoretièeskije, stilevyje i metodièeskije osnovy polifonii J. S. Bacha. | diss. | 114p | ||||
| | 197. | The clarinet in solo, chamber, and concerto repertoire. | diss. | 115p | ||||
| | 198. | The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. | diss. | 115p | ||||
| | 199. | Christian Benjamin Klein und seine Sammlung musikalischer Handschriften. | diss. | 116 Bl | ||||
| | 200. | A selected study of three variations by Bach, Beethoven, and Brahms. | diss. | 116p | ||||
| | 201. | Bach Pianists: a Performance History. | diss. | 116p | ||||
| | 202. | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. | diss. | 116p | ||||
| | 203. | The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. | diss. | 117p | ||||
| | 204. | Die Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied. | diss. | 118p | ||||
| | 205. | Uma comparação entre duas gravações do Cravo Bem-Temperado de J.S. Bach por András Schiff. | diss. | 118p | ||||
| | 206. | An analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach. | diss. | 118p | ||||
| | 207. | Die Anwendung der musikalisch-rhetorischen Figuren in den Werken von Heinrich Schütz. | diss. | 118p | ||||
| | 208. | 'Die Marburger Anatomenfamilie': (Wagener, Lieberkühn, Gasser, Strahl, Zumstein). | diss. | 119p | ||||
| | 209. | J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. | diss. | 119p | ||||
| | 210. | Busoni's contributions to piano pedagogy. | diss. | 120p | ||||
| | 211. | Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. | diss. | 120p | ||||
| | 212. | Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. | diss. | 121p | ||||
| | 213. | Die Berliner Klaviersonate zur Zeit Friedrichs des Grossen. | diss. | 123, 14 Bl | ||||
| | 214. | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. | diss. | 123, 70, 2p | ||||
| | 215. | O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. | diss. | 123p | ||||
| | 216. | A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. | diss. | 123p | ||||
| | 217. | Toward a methodology for the analysis of fugue: An examination of selected Bach organ works. | diss. | 124p | ||||
| | 218. | The Installation Cantatas of C. P. E. Bach. | diss. | 124p | ||||
| | 219. | The French Influence on Bach. | diss. | 125 Bl | ||||
| | 220. | Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. | diss. | 125p | ||||
| | 221. | J.S. Bach and permutational design. | diss. | 126p | ||||
| | 222. | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. | diss. | 126p | ||||
| | 223. | Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. | diss. | 127p | ||||
| | 224. | Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. | diss. | 128 leaves | ||||
| | 225. | Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. | diss. | 128p | ||||
| | 226. | Arthur Loesser: Pianist, teacher, critic, author. | diss. | 128p | ||||
| | 227. | Die Musikanschauung Augustins nach seiner Schrift 'De musica'. | diss. | 128p | ||||
| | 228. | Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. | diss. | 128p | ||||
| | 229. | Patterns and strategies: four perspectives of musical characterization. | diss. | 130p | ||||
| | 230. | Um estudo sobre os aspectos tecnicos e interpretativos da terceira partita para violino solo de Johann Sebastian Bach. | diss. | 130p | ||||
| | 231. | The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. | diss. | 130p | ||||
| | 232. | J.S. Bach's BWV 232: Augmented Sixth Chords in the Symbolum Nicenum as Structural and Theological Unifying Factors. | diss. | 131p | ||||
| | 233. | The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3. | diss. | 131p | ||||
| | 234. | Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). | diss. | 133, 198p | ||||
| | 235. | Die oratorische Kunst in den lateinischen Historien und Oratorien Giacomo Carissimis. | diss. | 133, 46p | ||||
| | 236. | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. | diss. | 133p | ||||
| | 237. | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. | diss. | 133p | ||||
| | 238. | Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. | diss. | 134p | ||||
| | 239. | Philipp Emanuel Bach in Hamburg. Beiträge zu seiner Biographie und zur Musikgeschichte seiner Zeit. | diss. | 134p | ||||
| | 240. | Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. | diss. | 135p | ||||
| | 241. | Die Chorwerke von Moritz Hauptmann (1792–1868). | diss. | 135p | ||||
| | 242. | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. | diss. | 136p | ||||
| | 243. | Timewarp: A computer model of real-time segmentation and recognition of melodic fragments. | diss. | 137p | ||||
| | 244. | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. | diss. | 138p | ||||
| | 245. | The concept of developing variations as a means of producing unity and variety in Schoenberg's Theme and variations, op. 43a. | diss. | 138p | ||||
| | 246. | Beiträge zur Kenntnis des Opernschaffens von J. Christian Bach. | diss. | 138p | ||||
| | 247. | A musician's introduction to Baroque dance. | diss. | 139p | ||||
| | 248. | Passio secundum Marcum di J.S. Bach. | diss. | 139p | ||||
| | 249. | Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. | diss. | 139p | ||||
| | 250. | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. | diss. | 140p | ||||
| | 251. | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. | diss. | 142p | ||||
| | 252. | The Evolution and Nomenclature of Bach's Horn Parts. | diss. | 143p | ||||
| | 253. | Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). | diss. | 143p | ||||
| | 254. | An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'. | diss. | 144p | ||||
| | 255. | Zur Funktion der Werke Johann Sebastian Bachs im Prozeß der Entwicklung musikalischer Begabungen. | diss. | 144p | ||||
| | 256. | The Baroque continuum: The influence of the 'Praeludien' from Bach's 'Well-Tempered Clavier' on Chopin's Preludes, Op. 28. | diss. | 144p | ||||
| | 257. | Preludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis. | diss. | 144p | ||||
| | 258. | Die Einführung des Hornes in die Kunstmusik und seine Verwendung bis zum Tode Joh. Seb. Bachs: Ein Beitrag zur Geschichte d. Instrumentation. | diss. | 144p | ||||
| | 259. | Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. | diss. | 145p | ||||
| | 260. | Perspective on the musical essays of Lorenz Christoph Mizler (1711-1778). | diss. | 145p | ||||
| | 261. | The seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach. | diss. | 146p | ||||
| | 262. | The use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach. | diss. | 146p | ||||
| | 263. | Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. | diss. | 147p | ||||
| | 264. | The fugal technique of J. S. Bach. | diss. | 1498p | ||||
| | 265. | The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. | diss. | 14p | ||||
| | 266. | Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. | diss. | 150p | ||||
| | 267. | Mendelssohn's Te Deum in D: Influences and the development of style. | diss. | 150p | ||||
| | 268. | Per un'interpretazione dei 14 canoni di Bach BWV 1087: implicazioni didattiche e ideologiche. | diss. | 150p | ||||
| | 269. | Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. | diss. | 150p | ||||
| | 270. | Die sechs Suiten für das Violoncello allein von Joh. Seb. Bach. Ein Beitrag zur Geschichte des Violoncellos und zur Erkenntnis des Bachschen Personalstiles. | diss. | 151 Bl | ||||
| | 271. | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. | diss. | 151p | ||||
| | 272. | Die musikalisch-rhetorische Tradition im 18. Jahrhundert unter besonderer Berücksichtigung des Programmtrios von Carl Philipp Emanuel Bach. | diss. | 152 Bl | ||||
| | 273. | Research and transcription procedures to provide additional literature for trombone quartet. | diss. | 153p | ||||
| | 274. | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. | diss. | 153p | ||||
| | 275. | Studie zur deutschen Bach-Auffassung in der Musikgeschichtsschreibung zwischen 1850/70. Eine musikhistorische und ästhetische Untersuchung des Bach-Verstehens im 19. Jahrhundert Münster. | diss. | 154 Bl | ||||
| | 276. | Il 'Catone in Utica' di Johann Christian Bach: edizione critica, inquadramento storico ed analisi. | diss. | 155, 263p | ||||
| | 277. | Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. | diss. | 155; 178; 273p | ||||
| | 278. | Tempo Considerations in the Choral Music of Johann Sebastian Bach. | diss. | 155p | ||||
| | 279. | Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. | diss. | 156p | ||||
| | 280. | Das Rezitativ der Kirchenkantaten Joh. Seb. Bachs. | diss. | 156p | ||||
| | 281. | Friedrich Wilhelm Rust. | diss. | 156p | ||||
| | 282. | Das vokal-instrumentale Verhältnis in den Arien des jungen Johann Sebastian Bachs. | diss. | 157p | ||||
| | 283. | The Performer's Goût: a Study of Rhythmic Conventions and their Application to Selected Organ Works of Johann Sebastian Bach. | diss. | 157p | ||||
| | 284. | Die Triosonate bei den Dresdner Zeitgenossen Johann Sebastian Bachs. | diss. | 158, 51 Bl | ||||
| | 285. | Johann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary. | diss. | 1586p | ||||
| | 286. | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. | diss. | 158p | ||||
| | 287. | The B-A-C-H-Motive in German Keyboard Compositions from the Time of J. S. Bach to the Present. | diss. | 158p | ||||
| | 288. | The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. | diss. | 159p | ||||
| | 289. | De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. | diss. | 159p | ||||
| | 290. | Principy polifoniceskogo golosovedenija v instrumental'nyh fugah I.S. Baha. | diss. | 15p | ||||
| | 291. | A performance edition of Bach's violoncello suites, transcribed for viola. | diss. | 160p | ||||
| | 292. | Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. | diss. | 160p | ||||
| | 293. | Heikinritsu Klavier Kyokushu, Dai-1-Kan no Fuga ni okeru Seikaku Shudai to Gakkyoku Kozo. | diss. | 160p | ||||
| | 294. | Kaanonien kaatama? Johann Gottfried Waltherin elämä. | diss. | 161p | ||||
| | 295. | The soli-tutti concept in the choral works of Johann Sebastian Bach. | diss. | 161p | ||||
| | 296. | Studien zum Libretto des Tod Jesu von Karl Wilhelm Ramler und Karl Heinrich Graun. | diss. | 163p | ||||
| | 297. | Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. | diss. | 163p | ||||
| | 298. | Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. | diss. | 163p | ||||
| | 299. | Die Klaviersonaten Carl Philipp Emanuel Bachs. | diss. | 164p | ||||
| | 300. | Die Musikpflege an der Leipziger Neukirche von 1699 bis 1761. | diss. | 164p, 20p | ||||
| | 301. | Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. | diss. | 165p |
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